[A1103 ] The experimental C bear settlement took place on a regular basis (twelve hours per week, divided into three afternoons) from the month of December (1972). To it were joined after a course of music history (run by Carlo Marinelli ) and a reading course at the piano (run by Flavio Benedetti-Michelangeli). Apart from the defections that have been mentioned, which have been joined by another, inexplicably, in recent months, the participants have complied, with regard to the composition course at an average frequency of two afternoons a week. Some have short periods of absence (travel, especially foreigners, moments of "crisis" and so on.) assiduousness others have demonstrated above average. The performance of each (or better the performance of the course against them) is very difficult to assess, given the different degree of familiarity with the music, also given different interest in the specific issue of the composition (for some the main topic was the 'analysis). However, I believe that everyone has made the maximum, depending on the time they could or thought it necessary to devote to music. As for me, I can not adduce as symptomatic that the growing interest in this type of collective and multilateral activities, and the conviction that only by moving from circulation problems, and not by their maceration private, may evolve a new condition of 'making music'.
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